Giallo influence but also to burst it open. The clever humor in the bright makeup tutorials Michele makes suddenly curdles into horror once we discover its true purpose.
The same could be said for the women’s fashion obsessions, the men’s choreographed workouts and, especially, the Treasures’ angelic choir songs. (The meticulously designed soundtrack is so crucial, the movie could almost be considered a musical.)The pacing is a bit slack, and the film does feel unnecessarily extended at over two hours.
This is particularly noticeable in a less-confident third act, as if da Silveira doesn’t quite know how to resolve the appalling setup she’s worked so hard to create.
Then again, maybe the film’s ultimate horror is in the chilling knowledge that there are no easy resolutions to be found.“Medusa” opens in LA and NYC July 29..
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