Christopher Vourlias When Marina Abramovic left Yugoslavia as a young artist in the 1970s, she could have hardly imagined what the years ahead would bring.
Her homeland—a communist state ruled for nearly 40 years by Marshal Josip Broz Tito—would dissolve amid the geopolitical reshuffling of the post-Cold War era, while Abramovic herself would go on to become one of the most acclaimed, influential, and, at times, divisive artists on the planet.Her return to Belgrade, after more than four decades of self-imposed exile, is at the heart of “Homecoming: Marina Abramovic and Her Children,” director Boris Miljkovic’s intimate documentary portrait of the artist as she stages her retrospective, “The Cleaner,” in the city of her birth.
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