Daron James Cinematographer Erik Messerschmidt is no stranger when it comes to being at the forefront of digital moviemaking technology.
David Fincher’s “Mank,” a biographical drama about “Citizen Kane” screenwriter Herman J. Mankiewicz (Gary Oldman) is without exception.Visually, viewers are transported to Old Hollywood, where an alluring black-and-white visual palette blankets the screen, a look that ties in production techniques traditionally not used on modern movie sets.Though the film was destined to be black and white, rather than shooting on a camera that produces color images to later convert to monochrome, the picture was recorded on a RED Ranger Helium Monochrome, an 8K digital camera that only records black and white. “While.
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