th or 20th century moment. While hopping from movie to movie, they meet Noriko (Rei Yoshida), a child who dreams of a warless future, one where she can find romance and happiness.
Of course, in this contained universe, observing a film means participating in a film and possibly changing its outcome. Noriko’s fictional future might be in the hands of these real-life interlopers.The polar opposite of an episodic lurch through linear time, “Labyrinth” finds Obayashi tap-dancing through it, forwards and backwards, preferring flamboyant, giddy spectacle to anything resembling realism.
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