Also Read: 'Greyhound' Editors' Big Lesson: Trust the Power of Tom Hanks' Face in Battleship Thriller“We were military driven, we were very precise in what we were trying to achieve.
Four months, and we had to be very, very clever about how we did things, because there was no going back. We were always progressing as fast as we could, and that means what the camera saw is what we focused on,” Nathan McGuinness, the visual effects supervisor on “Greyhound” told TheWrap. “We really had to take it on as filmmakers and not just visual effects guys, but we had to make this our world, because Tom did such a brilliant job portraying what’s in his mind.
Read more on thewrap.com
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