Anne-Marie is not playing games with bad men anymore. On PSYCHO, Anne-Marie's first taste of her burgeoning new era with none other than Aitch, there is no holding back.
From the dark and juddering piano production (courtesy of a team including Tom Mann, BillenTed and Gracey), which gives way into a stylish and smooth hip-hop adjacent beat and a very suave flow from Anne-Marie herself, PSYCHO takes aim at a cheating partner, who is more than happy to hide his own indiscretions by playing on his partner's insecurities.
In a word: trash, hun. The switch-up in style is very welcome for Anne-Marie, nestling her down into a darker and more seductive lane than before, especially when it seemed that all her sharp edges had been dulled during her last album campaign.
There's no such worry here, PSYCHO (if its shadowed, almost film noir-like artwork wasn't enough) is happy enough to bathe in the darker side of human behaviour, and really let loose too.
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