Guy Lodge Film Critic“Fever dream” has lately become an overused term in film marketing and criticism alike, often generically applied to anything faintly strange or surreal with fractured storytelling trickery and a lick of gauzy ambience.
As a title for the latest feature from Peruvian director Claudia Llosa, it serves a similarly loose, woolly purpose, despite not being particularly apt: A psychological thriller in which two mothers fear their children’s souls have gone adrift, the film’s narrative unfolds less as fever dream than waking nightmare, though its hazy, sunstruck styling lends it a certain somnambulant quality.As with Argentine writer Samanta Schweblin’s celebrated source novel — co-adapted by the author with Llosa — the.
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