Focus Features presents Edgar Wright’s Last Night In Soho, a twisty psycho-thriller with a great soundtrack, as Wes Anderson’s The French Dispatch goes wider, testing the appeal of a director whose films have been called the arthouse equivalent of Marvel.Last Night, a time-bending genre tale, unspools on just over 3,000 screens, not exactly specialty but from a writer-director who “can dip his toe into anything, a true specialty film, a more commercial film like Baby Driver, and now a psychological thriller that harkens back to Hitchcock, Brian De Palma and David Lynch,” said Focus distribution president Lisa Bunnell.
It’s “more than a typical commercial slasher movie. It takes the thriller genre to a new level.”The film premiered this fall
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