Jessica Kiang (Baby) It’s cold outside. Strings of gaudy rainbow lights twinkle from gables. In cozy living rooms, grandmothers and great aunts doze in their chairs while middle-aged siblings bicker and booze it up around the dining table.
Little kids squirm in makeshift beds trying to stay awake for Santa, while truculent teenagers sneak out into the suburban night to do secret teenager things.
Ok, so there are no chestnuts roasting on an open fire — instead there is a salad bowl full to the gluttonous brim with red and green M&Ms — but in almost every other respect Tyler Taormina‘s delightful stocking-stuffer “Christmas Eve in Miller’s Point” is as alive to the domesticated magic of holiday tradition as any Nat King Cole seasonal classic.
And probably even more so: Taormina’s fondly multivalent, Millennial-Norman-Rockwell perspective incorporates a child’s experience of the holiday, overlaid with a teen’s and a parent’s and a grandparent’s and a cousin’s and an in-law’s and so on.
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