Andrew Barker Senior Features WriterFor those who were charmed by writer-director Brett Haley’s incisive microbudget debut “The New Year,” or his Sam Elliott-starring Hollywood fable “The Hero,” or his crowdpleasing father-daughter dramedy “Hearts Beat Loud,” it might initially come as a surprise to see his name attached to two glossy, unabashedly sentimental Netflix teen dramas within the same year: February’s “All the Bright Places,” and this week’s “All Together Now.” Unexpected as it may be at first, the director’s abrupt lane change is one that his style ought to be able to accommodate.
There’s a pervasive sense of warmth in all of Haley’s films, and he has an ease with melodrama and contrivance and cliché that somehow never betrays a.
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