Unforgettable images—the coned, fiery blue flames of the Batmobile, bodies thrashing, enveloped in shadows, the brailed scars crawling across Robert Pattinson’s muscled back—converge in Matt Reeves’ three-hour, noir-infused epic “The Batman.” Ever since Bob Kane and Bill Finger created him in 1939, the philanthropist playboy by day, Caped Crusader by night, has signified isolation, grief, trauma — vengeance.
Over the decades, television and cinematic incarnations, projected through the personalities of the actors who’ve portrayed him, have amplified those traits through both campy and brooding means.
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