Matt Donnelly Senior Film WriterAs Hollywood crawls toward some version of normalcy amid the coronavirus pandemic, we at Variety have been curious about how the day-to-day work of film and television production would resume.
After an invitation from two indie film producers — Maurice Fadida and Eric B. Fleischman — to visit the set of “The Knocking,” I was able to observe the meticulous new protocols in action.It’s a slog, the business of keeping people protected in a highly tactile and collaborative environment, especially for independent filmmakers.
The producers estimated that safety measures cost as much as 10% of their production budget, and resulted in additional shooting days.
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