An inventive parable, Cristóbal León & Joaquín Cociña's breathtaking animation continuously redefines reality in startlingly timely ways.
By Tomris Laffly If an Orwellian fable were to be visualized by a surrealist in the vein of Salvador Dali, the result would look and feel something like “The Wolf House,” a jaw-dropping marriage of various animation techniques, chiefly stop-motion.
A dystopian tale with haunting echoes of “The Three Little Pigs” and “Red Riding Hood,” this shape-shifting, trippy nightmare from filmmakers Cristóbal León and Joaquín Cociña startles and terrifies in equal measure, while putting forth an uncompromising examination of fascism in a way that only animation can do.
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