Alissa Simon Film CriticFascinating backroom politics circa WWII are undermined by banal marital melodrama in Danish director Christina Rosendahl’s “The Good Traitor,” resulting in a so-so period drama that raises more questions than it answers.
The film centers on the life of diplomat-gone-rogue Henrik Kauffmann (Ulrich Thomsen, stoic), who was posted to Washington, D.C., as Danish Ambassador in 1939.
When the Nazis occupy Denmark on April 9, 1940, Kauffmann declares himself the only true representative of the free Danish people and goes on to make a number of high-risk autonomous decisions that, in the long run, help to free his homeland.
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