Armageddon, Titanic, two Jurassic Parks and Twister; and you've got Star Wars Episode I, Independence Day and Men in Black. Plus there's The Sixth Sense, which was pretty disastrous for Bruce Willis' Malcolm Crowe.
There's definitely some end-of-the-century queasiness there, and a sense that something's not quite right. Compare that to the Noughties (fantasy and superheroes) or the Eighties (adventure blockbusters plus a grab-bag of family films and Rain Man).
Even considering James Bond's resurgence and Disney's second golden age, the Nineties box office points to a particularly Gen X strain of nihilism and angst.
The Matrix, The Truman Show and Fight Club all pulled at the seams of reality and asked whether the job, the car, the white.
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