Regina King has seen the discourse. She knows that some pundits, critics, and others have criticized her new Best Picture contender, “One Night in Miami,” for feeling at times like a “filmed play.” In reality, screenwriter Kemp Powers did adapt his own play for the screen, but in her view, it’s reductive. “It’s been funny hearing some of those reviews.
Kemp and I still talk all the time, and he’ll have read a review that’ll say that, and because this is his baby, no one knows this more than him.
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