Jessica Kiang Perhaps the most difficult task faced by any filmmaker attempting to commemorate an atrocity is to manage the vast disparities in scale.
To communicate the extent of a war crime like the Srebrenica massacre, which saw 8,372 civilian residents of the Bosnian town, mostly men and boys, murdered by units of the Bosnian Serb Army in July of 1995, the canvas needs to be broad.
But often, that scope can mean lower resolution when you zoom in, the individual human impact getting lost in the grain. But this is a perilous balance director Jasmila Žbanić (“On the Path,” 2006’s Berlin-winning “Grbavica”) achieves strikingly well in her deeply compelling, harrowing and heartbreaking “Quo Vadis, Aida?,” which reminds us that each of.
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