Marie Antoinette: Celebs Rumors

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Crafting ‘Stereophonic’: How ‘Terrifying’ Rehearsals, Creative Clashes and a Soundproof Studio Led to Broadway’s Buzziest Show

Ethan Shanfeld A little over 10 years ago, David Adjmi was on an airplane, listening to Led Zeppelin’s “Babe I’m Gonna Leave You,” and picturing Robert Plant recording the vocals. “It’s communicating desire and pain and anguish and torture and lust,” Adjmi says of the song. “I was thinking about all of these conflicting emotions and imagining him singing the raw vocal in a studio — the state he must have gotten into to sing it.” Adjmi then started envisioning the room — what it might look like — in his mind.
variety.com

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‘Chevalier’ Review: Kelvin Harrison Jr.’s Fiery Take on a Forgotten French Maestro Ought to Set the Record Straight
Peter Debruge Chief Film Critic Though his life and accomplishments were largely erased under Napoleon, the extraordinary figure at the center of Stephen Williams’ “Chevalier” really did exist. Born on the Caribbean island of Guadeloupe, the son of a white plantation owner and his Black slave, Joseph Bologne went on to excel in spheres rarely accessible to people of color in 18th-century French society. Here was a champion swordsman and celebrated musician invited to play his violin at Versailles, where Marie Antoinette reportedly accompanied him on the harpsichord. So why has it taken so long for his story to be told? The time certainly seems right to rediscover the Chevalier — an honorary title that reveals how high Bologne rose under France’s overtly racist Code Noir, as well as a fitting name for the film. A compelling example of Black excellence dating back even before the French Revolution, the English-language “Chevalier” doesn’t feel nearly as fusty as its powdered wigs and period setting might suggest. Like “Chocolat” (not the Johnny Depp confection, but the 2016 Omar Sy vehicle about the circus clown who broke barriers on the Paris stage), this modern-minded if occasionally under-nuanced costume drama fills a historic gap, starting with its fanciful opening scene: a violin showdown between Bologne (Kelvin Harrison Jr.) and Wolfgang Amadeus Mozart (Joseph Prowen) choreographed like a rap battle.
thewrap.com
Here’s What’s Leaving Hulu in July 2022
July 2I Am Not Your Negro (2016)Ingrid Goes West (2017)July 3Leave No Trace (2018)July 8Barb and Star Go to Vista Del Mar (2021)July 10China: The Panda Adventure (2001)Horses (2002)The Secret of Life on Earth (1993)July 12My Scientology Movie (2015)The Rest of Us (2019)July 13My All-American (2015)July 14Devil’s Knot (2013)Dog Eat Dog (2016)July 24Rattlesnakes (2019)Zoo-Head (2019)July 252099: The Soldier Protocol (2019)July 31A Beautiful Mind (2001)The A-Team (2010)The Angriest Man in Brooklyn (2014)Armored (2009)The Big Year (2010)Blind Date (1987)The Breakfast Club (1985)Bringing Down the House (2003)Burn After Reading (2008)Center Stage (2000)Cyrus (2010)The Devil Wears Prada (2006)Dodgeball: A True Underdog Story (2004)Easy A (2010)Equity (2016)Fever Pitch (2005)The Fifth Element (1997)The Five-Year Engagement (2012)The Flintstones (1994)Grandma (2015)Gridiron Gang (2006)Happy Feet (2006)Happy Feet Two (2011)Hitch (2005)Look Who’s Talking (1989)Madeline (1998)Marie Antoinette (2006)Me, Myself and Irene (2000)November Criminals (2017)Nowhere to Run (1993)Once Upon a Time in America (1984)The Other Guys (2010)Pineapple Express (2008)The Program (1993)Push (2009)Resident Evil (2002)Resident Evil: Apocalypse (2004)Resident Evil: Extinction (2007)Resident Evil: Afterlife (2010)Resident Evil: Retribution (2012)Rock Of Ages (2012)The Runaways (2010)Sideways (2004)Single White Female (1992)Stuart Little (1999)Stuart Little 2 (2002)That’s My Boy (2012)Tyler Perry’s Meet the Browns (2008)The Vow (2012)Walk Hard: The Dewey Cox Story (2007)Water for Elephants (2010)We Own the Night (2007)Wolf (1994)The Wolfman (2010)
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