David Byrne: Celebs Rumors

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Miley Cyrus drops her synth-drenched ‘Psycho Killer’ cover from Talking Heads tribute album

Miley Cyrus has dropped her unique ‘Psycho Killer’ cover from the upcoming Talking Heads tribute album – listen to it below.‘Everyone’s Getting Involved: A Tribute to Talking Heads’ Stop Making Sense’ was first announced in December by A24 Music. The album, which is out now, features 16 artists taking on classics from the New York band – including the already released Lorde version of ‘Take Me to the River’, which Talking Heads themselves covered in 1978, from the 1974 original by Al Green.Now, Miley Cyrus has released her synthpop-drenched take on their hit ‘Psycho Killer’.
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‘Everything Everywhere All At Once’ breaks A24 box office record
Everything Everywhere All At Once has broken a US box office record for indie studio A24.The ambitious, multi-dimensional martial arts film, direct by The Daniels (Dan Kwan and Daniel Scheinert), overtook Uncut Gems as the studio’s highest-grossing movie ever, making $52,263,484 (£41,829,079) at the US domestic box office after the weekend.The Michelle Yeoh-starring film could be on course to overtake Ari Aster’s horror movie Hereditary as A24’s highest-grossing movie worldwide ($80million) – especially as it still hasn’t opened in all international markets yet, even after its delayed release in UK and Ireland cinemas on May 13.Yeoh plays Evelyn Wang in the film, a mother thrown into a sci-fi action-adventure – alongside Jamie Lee Curtis, Stephanie Hsu and Ke Huy Quan – after she learns she’s able to access the memory and skills of alternate versions of herself throughout the multiverse.Watch the trailer for Everything Everywhere All At Once below.Earlier this month (May 13), Yeoh said she texted Jackie Chan teasing him about turning down the lead role.The martial arts legend was originally envisioned by Scheinert and Kwan as playing Everything Everywhere All At Once‘s main character. However, when he said he was unavailable, they rewrote the part for Yeoh.“Jackie actually texted me,” she told the Guardian about his response to the film.
variety.com
Oneohtrix Point Never — a.k.a. Electronic Musician and Weeknd Collaborator Daniel Lopatin — Signs Publishing Deal With Downtown
Jem Aswad Senior Music EditorDowntown Music Services has inked a global music publishing administration agreement with Brooklyn-based artist, composer and producer Daniel Lopatin, the company announced Wednesday.Lopatin, who records and performs as Oneohtrix Point Never, has released multiple albums and tracks over the years including his most recent project, “Magic Oneohtrix Point Never.”He also has collaborated extensively with the Weeknd over the past two years, serving as an executive producer on the recent “Dawn FM” album, and also was musical director of the artist’s 2021 Super Bowl Half Time performance. Earlier this year he completed work on his first full album production for another artist, Soccer Mommy’s upcoming album “Sometimes, Forever.” His production credits over the years also include David Byrne, Moses Sumney, Anohni and Charli XCX as well as collaborations with Iggy Pop, Rosalía, James Blake and Elizabeth Fraser.His original film scores include Josh and Benny Safdie’s “Uncut Gems” and “Good Time,” for which he received the Best Soundtrack Award at the 2017 Cannes Film Festival.
nme.com
David Byrne: “Spotify is making artists uncomfortable”
David Byrne says he believes that Spotify is “making artists uncomfortable” around the scandal relating to COVID misinformation shared on Joe Rogan’s podcast.Earlier this year, Rogan and Spotify were heavily criticised for sharing misinformation about the coronavirus vaccine on the exclusive podcast The Joe Rogan Experience, which led to artists including Neil Young and Joni Mitchell removing their music from the service.Byrne, who in 2013 publicly criticised the “pittance” artists are paid in terms of royalties from streaming services like Spotify, and claimed he had pulled as much of his catalogue as possible from the service, was asked his thoughts on the ongoing scandal in a new interview with the Guardian.“There’s been all these things about platforms having … let’s say questionable or controversial content [and] putting out misinformation or outright lies or … not exactly hate speech, but things that are making a lot of artists uncomfortable,” he said.“And it’s pretty tough to do anything to help ameliorate that unless you’re a Drake or Taylor Swift, or those kinds of artists. It’s pretty hard for the rest of us to have influence.”Byrne added: “A handful of mega, mega artists are doing really well, and many of the others – especially emerging artists – are having a tough time with it.
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