Tomris Laffly The toughest of the five senses to transmit through the screen, smell compels writer-director Grégory Magne’s “Perfumes,” an enchanting journey into life’s assorted aromas.
Smell is also at the center of Anne Walberg’s existence and profession as “a nose” — meaning, someone blessed with highly advanced olfactory receptors, like a sommelier, but for fragrance.
A sometimes pleasant, other times sour experience for most of us, smell means a lot more, if not something entirely different, to Anne (the ever-prolific Emmanuelle Devos), who works as a freelancer, consulting different types of luxury brands on their products, following her retirement from a fruitful career as a highly sought-after perfume designer in France.
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