Jessica Kiang The only thing frostier than the snowbound forest landscape of Tibetan director Jigme Trinley’s impressively lean yet woozy thriller debut is the air of mutual hostility and suspicion that exists between its four duplicitous, taciturn characters. “One and Four” may be produced by leading Tibetan auteur Pema Tseden, and may provide yet another great showcase for the befuddled expressivity and shambling physicality of Tseden’s recent go-to star Jinpa (“Jinpa,” “Balloon”).
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