Lior Phillips Some may know Norah Jones exclusively as the immaculately voiced writer of loungey, jazz-inflected tunes perfect for rainy afternoons.
Others who have followed her discography since those passionate and endearing early ‘00s gems have seen massive swings intended to redefine and expand her palette.
She leaned into cinematic rock with Danger Mouse on “Little Broken Hearts,” started a country band with Puss ‘N Boots and featured on an Outkast track.
Many lauded 2016’s “Day Breaks” as a return to her piano jazz core.Now, on her seventh LP. “Pick Me Up Off the Floor,” Jones clears away the weight of genre signposts and disentangles her process to affirm twin strengths: her sterling voice and empathic songwriting.
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