Jessica Kiang The shadow of a certain massively popular fantasy television show looms large over Charlotte Sieling’s “Margrete: Queen of the North,” a glossy period drama that amounts to a what-if expansion on an incident from medieval Scandinavian history.
And that’s not necessarily a bad thing — anyone missing their weekly dose of sumptuously recreated George R. R. Martin will have their itch lightly scratched by the courtly power-plays, passageway mutterings and spies-in-the-bedchamber aspects of Sieling’s well-upholstered film, even if dragons and ice zombies are notable by their absence.However the “Game of Thrones” comparison also has its downside: Where the show excelled in keeping multiple plotlines running concurrently so even the.
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