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Erik Messerschmidt
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Erik Messerschmidt
‘Mank’ in Color: How Vibrant Shades Were Key for Designing Black and White Film (Exclusive Video)
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thewrap.com
thewrap.comAlso Read: The Design of 'Mank': How Costumes and Sets Energized David Fincher's Homage to Old HollywoodBurt has an intriguing take on designing in black and white, as he explains in this exclusive video (above).
Unlike cinematographer Erik Messerschmidt, who told TheWrap that all his memories of making “Mank” are in black and white, Burt found himself embracing the color wheel in his gig on the film.“It was very important to make (the sound stage) look real and use real color tones,” the production designer said. “So when the actors came in they weren’t walking onto a set that was painted green and pink, just because those colors work well in black and white.”He added, “One of the challenges of this was controlling the color palette.
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