The first iteration of the Cannes Film Festival, planned for 1939, was scuppered when Germany invaded Poland to trigger the start of World War II.
But when the festival finally got off the ground in 1946, Indian cinema came out swinging. Mounted shortly after the conclusion of the war, the first “real” Cannes Film Festival featured competition entries from Billy Wilder (The Lost Weekend), Roberto Rossellini (Open City), and David Lean (Brief Encounter).
In the spirit of post-war peace and reconciliation, the competition jury, headed by French historian Georges Huisman, handed the top prize — then the Grand Prix — to films from 11 of the 18 countries represented that year.
This included India, with Chetan Anand’s social-realist drama Neecha Nagar, and, for a decade at least, the country was a regular fixture in Competition.
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