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‘Bird’ Review: Andrea Arnold’s Dabble With Fantasy Offers A Sunlit Ray Of Hope In A Bleak Existence – Cannes Film Festival

Andrea Arnold was last in Cannes with Cow in 2021, a documentary about a bovine’s pitiful existence on a farm from birth to death. Her new film, Bird, might switch animal classifications — and return her to narrative features about human beings — but there’s connective tissue between the two. Once more, Arnold is perfecting her meandering journey through marginalized existences.
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