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Sir Elton Hercules John CH CBE (born Reginald Kenneth Dwight; 25 March 1947) is an English singer, songwriter, pianist, and composer. He has worked with lyricist Bernie Taupin since 1967; they have collaborated on more than 30 albums. John has sold more than 300 million records, making him one of the world's best-selling music artists. He has more than fifty Top 40 hits, as well as seven consecutive number-one albums in the United States, 58 Billboard Top 40 singles, 27 Top 10 singles, four of which peaked at number two and nine of which reached number one. His tribute single "Candle in the Wind 1997", rewritten in dedication to Diana, Princess of Wales, sold over 33 million copies worldwide and is the best-selling single in the history of the UK and US singles charts. He has also produced records and occasionally acted in films. John owned Watford F.C. from 1976 to 1987 and from 1997 to 2002, and is an honorary life president of the club.
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Listen to Manic Street Preachers’ remix of Steven Wilson’s ‘Economies of Scale’

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www.nme.com

Manic Street Preachers have released a new remix of Steven Wilson’s track ‘Economies of Scale’ – listen to the new version below.The song was originally released on Wilson’s latest solo album ‘The Harmony Codex’, which came out in September.

Wilson, the singer and multi-instrumentalist who rose to prominence with the band Porcupine Tree, has now released seven albums under his own name.Speaking about the remix, Manics frontman James Dean Bradfield has said: “When I first heard ‘Economies of Scale’, I found myself transported back to 1984, when Sean [Moore, Manic Street Preachers drummer] came back from Germany where he’d been on tour with the Celynen Colliery Brass Band.”“He had a bootleg copy of ‘Synchronicity’ by The Police.

We couldn’t stop playing it, especially tracks like ‘Walking in Your Footsteps’ and ‘Murder by Numbers’. There was something about the bareness of the vocals, the steely percussion and slight detachment that reminded us of that era of The Police, along with Stewart Copeland’s solo work on the Rumblefish soundtrack.”“With those things in mind, we had quickly found a direction and collectively connected with track.

Once we got in the studio, Wire immediately sought to push the second half of the track in more of a ‘Holy Bible’ direction.”In an interview with NME around its release, Wilson discussed how he persuaded the Manics to remix the song. “Even though I’m far from a household name and I think I’m very much under the radar, I think most musicians have a respect for me.

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