While his unnerving 1993 debut, “Clean, Shaven,” really floored audiences who saw it back in the day, when director Lodge Kerrigan’s belated third film “Keane” first made the rounds on the festival circuit in the fall of 2004, it reintroduced the filmmaker to the forefront of a then-flourishing American independent cinema.
In the nervy, visceral portrait of a paranoid father searching for his abducted daughter and finding a surrogate in a pre-fame Abigail Breslin, he proved how much can be done with a modest budget under one mil and a spirit of resourcefulness.
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