Also Read: Talking Life, Death and 'Jackass' With 'Dick Johnson Is Dead' Director Kirsten JohnsonAt the beginning of the film, he’s established as a charming, amusing figure: a “hippie businessman” who made work calls on an early mobile phone from the ski slopes of Park City and lived by Nietzsche’s quote, “Don’t trust the flatlanders,” a man for whom every Thursday was “Bob Dylan Day,” and a big spender who owned two Cadillac convertibles but painted them both the same shade of red so his mother wouldn’t think he was unduly extravagant.But that was just his cute, colorful side.
Beyond that, Ira Sachs appears to be a deeply selfish man who, in the words of one of his daughters, “had his own language, and we were expected to speak it.” He’s.
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