Tomris Laffly By its very composition, the amalgam word hacktivism houses a peculiar dichotomy. On one hand, it alludes to promoting justice through necessary online disobedience.
On the other, the ethics of whatever those rule-breaking actions or their consequences might be remain open to debate. Such ambiguity lies at the core of “Enemies of the State,” Sonia Kennebeck’s mind-boggling, often challenging spy-thriller in documentary form, about a freaky and disturbing yarn of (possible) cyber-crime activities investigated by insatiable journalistic curiosity, though not always with a lucid destination in sight.That lack of a clear target is frequently inherent in nonfiction storytelling: Documentary filmmakers discover, consider and.
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