Arriving over ten years after the faux-Grindhouse bubble burst, post-Tarantino “Death Proof,” Will Addison’s “Easy Does It” fatally mistakes headache-inducing visuals and unending nervously delivered dialogue for style, bludgeoning the viewer with a pastiche of better films that wears out its welcome way before the credits start rolling.
Ostensibly about two losers who rob their way from Louisiana to California, the skeleton plot is really an excuse for Addison to show off every editing trick he’s ever seen, somehow crafting a visually overwhelming, yet utterly incoherent, film that is sinfully boring.
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