The copper-green Confederate Soldier statue that holds the stage before the cast of Broadway’s wondrous revival of Caroline, Or Change assembles looks as if it could rouse itself with the slightest provocation, perhaps through a spark of the same theatrical magic that will soon give life to a washing machine, a radio, a clothes dryer.But this statue of this Southern “Defender” remains unmoving, a dead thing.
And yet…The malign power of “that ol’ copper Nightmare Man,” as one character has it, lingers over this powerful musical in so many varied ways, a soul crusher for one character, a call to rebellion for others and, for the audience, confirmation that this tour de force by Tony Kushner (book and lyrics) and Jeanine Tesori (music) has
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