Nick Vivarelli International CorrespondentFor nearly two decades the European Film Market has had, at its core, the Berlinale Co-Production Market, where hundreds of producers, sales agents, distributors, broadcasters and, more recently, some streamer execs have been drawn to a bunch of curated projects.The EFM has always been Europe’s quintessential co-production germinator.
But the pandemic has made it much tougher to make movies across multiple territories, while the streamers, which tend to fully finance their projects, get bigger — accelerating a pre-existing market dynamic.
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