By Leo Barraclough Senior International Correspondent Alexander Rodnyansky, who produced Andrey Zvyagintsev’s Oscar-nominated pics “Leviathan” and “Loveless,” says that the Russian films best able to travel tend to be “serious dramas,” such as the works of Zvyagintsev and Alexander Sokurov, whose stories “at their core examine the complexity of human existence.” Rodnyansky is working with three up-and-coming filmmakers whom, he says, demonstrate “absolute freedom” of expression: Kantemir Balagov, whose “Beanpole” won two prizes at Cannes last year; Kira Kovalenko, whose “Unclenching the Fists” is in post; and Vladimir Bitokov, whose “Mother, I Am Home” has been put on pause due to the pandemic. “Their perception of the world is much more
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