Guy Lodge Film CriticAny number of directors could have shot Andrea Seigel’s straightforwardly moving screenplay for “The Silent Twins” and turned out a straightforwardly moving film in the process.
It’s hard to imagine any of those movies looking, sounding or feeling quite like the one Agnieszka Smoczyńska has made, however.
Based on the desperately sad true story of two intensely connected Black twin sisters failed by Britain’s educational, legal and mental health services in the ’70s and ’80s, this brazen, tear-your-heart-out drama gets the full benefit of the Polish filmmaker’s singular imagination.
Layering one wild formal flourish over another — from macabre stop-motion animation to elaborately choreographed musical fantasies — to channel the inner lives of two young women who communicated only with each other, keeping the rest of the world outside their circle, it’s a swing for the fences that sometimes, almost by design, spins out of control.
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