Michael Nordine authorIt’s May 10, 1981, and Paris is celebrating. French political junkies might know the cause for this revelry, but for the rest of us, the reason seems to matter less than the electric atmosphere enveloping the streets as people dance to the sound of honking car horns.
Grainy, scene-setting archival footage is interspersed with the main action here and elsewhere in Mikhaël Hers’ period piece, which stars Charlotte Gainsbourg as a single mother looking to rediscover herself after being left by her husband.
An airy, low-key drama that doesn’t suffer for its lack of narrative tension, “The Passengers of the Night” further proves the old adage about the journey mattering more the destination.
We first meet Élisabet (Gainsbourg) at her lowest: unemployed, recently single and responsible for two teenagers (Quito Rayon-Richter and Megan Northam) whose father has walked out on the family.
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