Peter Debruge Chief Film CriticFirst a little girl goes missing, then her doll, in “The Lost Daughter,” a daring psychological drama in which what should have been an idyllic summer vacation on the Greek island of Spetses instead becomes a kind of overdue emotional workout for Olivia Colman’s character, Leda, who collapses on the beach, bleeding from her abdomen in the opening scene.
How these two disappearances might build to such a dire fate is one of the film’s mysteries, though more compelling is why this woman reacts to the incidents as she does, shocked into confronting her own conduct as a wife and parent many years earlier.“I’m an unnatural mother,” Leda says at one point, saying aloud that which women aren’t typically allowed to.
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