John Lennon: Celebs Rumors

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Watch The Beatles’ new, restored video for ‘Let It Be’

The Beatles have released a brand new restored video for ‘Let It Be’.The video features clips from the newly released and restored 1970 film Let It Be, directed by Michael Lindsay-Hogg, and uses rarely-seen alternate camera angles of the Fab Four and Billy Preston as they were recording the song.The meticulous restoration was done by Park Road Post Production from the original 16mm negative. According to the video’s description on YouTube, it was “filmed on the day after the January 30 rooftop concert” in 1969.‌The Let It Be film is now streaming on Disney+, marking the first time the documentary has been available in over 50 years.In a four-star review of the film, NME shared: “There may not be a more punk rock bit of film on earth than George being told the police were on the roof to shut them down, and casually turning his amp back on.
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The Beatles’ iconic rooftop gig in 1970 ‘Let It Be’ documentary “almost didn’t happen”
The Beatles‘ classic 1970 documentary film Let It Be was premiered in London earlier this week (May 7), before arriving on Disney+. Speaking at the press launch, creators explained how one of the most vital scenes – and significant moments in music history – never happened.The film was screened in front of an audience at the Curzon Mayfair which included original recording engineer Glyn Johns and Giles Martin (son of legendary Beatles producer George Martin, who remixed the music in Let It Be), Louis Theroux, James Bay, The Lightning Seeds frontman Ian Broudie and Captain America and Indiana Jones actor Toby Jones.The documentary, directed by Michael Lindsay-Hogg, was first released in cinemas 54 years ago and has been difficult to obtain since primarily because the original master tapes were stolen from Apple Corps shortly after the film was made.Speaking in a Q&A hosted by former Radio 1 DJ Edith Bowman, Jonathan Clyde producer of the film and director of production at Apple Corps, said: “When we first started talking about [restoring] it with [head of Apple Corps] Neil Aspinall in 2000, he said rather unenthusiastically, ‘I suppose we’d better do something about Let It Be’.“But the problem was that the master sound, that’s 450 to 500, 15 minute reels of master sound from the 20-odd days of shooting, had been stolen from Apple [Corps] in the early ’70s.”He continued: “So in truth, there was not a lot we could do except whoever it was who pilched them was licensing them to bootleggers who were then bootlegging vinyl and CD box sets.
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Worth the wait? The Beatles’ farewell film ‘Let It Be’ hits streaming 54 years later: review
finally available to stream on Disney+ this week.Was it worth the 54-year wait?Well, yes — and no.Some context is needed here first: If you watched “The Beatles: Get Back” — the three-part, eight-hour docuseries directed by none other than Oscar-winning “Lord of the Rings” director Peter Jackson that also premiered on Disney+ in 2021 — you’ve already seen a lot of this.And seen it in the kind of exhaustive detail — from the same footage that Jackson used from “Let It Be” director Michael Lindsay-Hogg — that you can probably break down the level of scruffiness in Paul McCartney’s faux-badass beard.But thankfully — whether or not you’ve already watched the tedious-at-times “Get Back” — this is only 80 minutes versus eight hours of your time.For anyone but the biggest of Beatlemaniacs, that math is math-ing.But here’s the real difference: Whereas “Get Back” captured every bit of Liverpudlian shade, side-eye and Yoko Ono rock-blocking, this “Let It Be” is all about the music that was made in the slow fade of the Fab Four.For most of this film — which documents The Beatles working out songs for what would turn out to be their final album, 1970’s “Let It Be,” in January 1969 — it’s just like being a little four-winged insect on the wall of those sessions at their Apple Corps headquarters in London.Rehearsing, working out songs and just jamming — even with all the mounting tension which is actually more between McCartney and George Harrison than Sir Paul and John Lennon (for all those who still blame Ono for the Beatles’ breakup) — it’s a magical mystery tour behind the scenes of what many consider to be the greatest band of all time.When McCartney and Lennon are in such easy harmony and camaraderie on “Two Of Us” — with the
nypost.com
John Lennon’s lost 1960s acoustic guitar to go up for auction
A previously lost 12-string acoustic guitar that belonged to the late John Lennon will go up for sale at an auction in May after it was recently found in the attic of a home in Britain.The auctioneers said Lennon played the guitar, which is expected to exceed its estimate of $600,000 to $800,000, on the Beatles’ 1965 album “Help!”The guitar was lying in an attic and was rediscovered by the current owners during a house move.The founders of US-based Julien’s Auctions said they traveled to Britain to verify the guitar and found the original case – a Maton Australian-made guitar case – in the trash.Martin Nolan, executive director and co-founder of Julien’s Auctions, told Reuters the owners knew they had the instrument at one point, but thought it had been lost.The guitar is believed to have ended up in their hands through British musician Gordon Waller, a member of the 1960s pop duo Peter and Gordon.“Gordon was gifted it from John Lennon, then Gordon gifted it to his road manager, and that’s where the guitar stayed for all these years,” Nolan said.The guitar will be auctioned on May 29 at the Hard Rock Cafe in New York and on the auctioneer’s website.Earlier this year, a stolen Hofner bass guitar belonging to Paul McCartney was found and returned to Lennon’s fellow Beatle after 51 years following a global hunt.Musical instruments belonging to prominent members of the Beatles have fetched a high price at previous auction.In 2015, a guitar stolen from Lennon in the 1960s sold for $2.41 million at an auction in California.
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Beatles scions James McCartney and Sean Ono Lennon take us from ‘Strawberry Fields’ to ‘Primrose Hill’ on new single: review
The Beatles released their debut single in the UK, 1962’s “Love Me Do,” as the first of many classic songs written by John Lennon and Paul McCartney, their offspring have come together to bring back their tune-making magic.“Primrose Hill,” the new single by James McCartney — Sir Paul’s only son, with his late wife Linda — was co-written by Sean Ono Lennon, John’s youngest son from his marriage to Yoko Ono.And the next generation does their papas proud on this wistful beauty of a ballad that recalls some of the nostalgic reverie of “Now and Then” — which was released to much fanfare in November as the last Beatles song (and their first new tune since 1996).Released on Friday, “Primrose Hill” — which is a public park north of Regent’s Park in London — is the first-ever collaboration between McCartney, 46, and Lennon, 48.And if any song could sound just like taking a bittersweet stroll in the park with nothing but your longing memories, then this one pretty much captures it.There’s instantly something familiar about it — both the dreamy moodiness and McCartney’s lilting delivery — but it never seems to fall into Beatles mimicry.Nor does it ever reach the reach the heights of Beatles transcendence — I mean, how could it?The lyrics almost border on lovesick cliche at one point: “Forever’s not long enough to be loving you/Forever and a day/I look into your eyes, it’s such a great surprise/You take my breath away.”But if you just lose yourself in the warm, woozy feeling, you’ll get over that.And the bluesy guitar that comes in at the end adds a nice bite to the bliss.“ ‘Primrose Hill’ is here!” McCartney wrote in a post on Instagram, alongside a photo of him and Lennon.
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New Beatles book reveals George Harrison’s inspiration to pick up guitar: “I remember going to see Cliff Richard and thinking fuck it – I could do better than that”
The Beatles has revealed George Harrison‘s inspiration to pick up the guitar.Due for release this Thursday (April 11), All You Need Is Love is described as “a ground-breaking oral history of the Beatles and how it all came to an end”.It is comprised of interviews taken from the controversial book The Love You Make (1983), which was written by Steven Gaines and Peter Brown – the personal assistant to Beatles manager Brian Epstein.In one section, Harrison speaks about what first ignited his interest in becoming a musician.“I remember being a kid of about twelve, dreaming of big motorboats and tropical islands and things which had nothing to do with Liverpool, which was dark and cold,” he explained to Brown and Gaines in 1980 (via The Times).“I remember going to see Cliff Richard and thinking fuck it – I could do better than that.”As Guitar.COM notes, this rivalry would eventually encourage Harrison to perfect his guitar playing – with Richard going on to envy the Fab Four’s fame and success.In 1964, the singer responded to The Beatles’ performance on The Ed Sullivan Show by saying: “It’s ridiculous! Has everyone forgotten me? What’s going on?”Despite the competition between The Beatles and Richard, John Lennon reportedly once argued that British music would not have been the same if the ‘Devil Woman’ artist hadn’t come along.“Before Cliff Richard and ‘Move It’, there was nothing worth listening to in England,” he is said to have claimed (via Gold Radio UK).All You Need Is Love also includes the claim that Yoko Ono instructed John Lennon how to use heroin and details a Lennon encounter that made The Rolling Stones’ Mick Jagger feel “uncomfortable”.An official description reads: “Based on never-before-published or heard
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