John Lennon: Celebs Rumors

Apple Corps Ltd., the Beatles’ longtime label, has announced the impending release of the Fab Four’s “final” song, “Now And Then.” The track will arrive as an A/B single — backed with the group’s first-ever release, “Love Me Do” — on Thursday, November 2 at 10 a.m. EDT.

The Beatles have finally announced details of the release of their “final song” ‘Now And Then’, along with news of expanded reissues of their ‘Red’ and ‘Blue’ albums. See all information below, along with a trailer for a new documentary about the project.The long-mooted single was created by Paul McCartney and Ringo Starr, who joined forces to create the final ever Beatles track to feature all four members, with the help of AI.Having been teased this week with images of a cassette tape across social media and internet as well as projections across the Fab Four’s native Liverpool, the band have now shared details of ‘Now And Then’ and when fans can expect to hear it.Lennon first wrote and recorded a demo of ‘Now And Then’ with just his piano and vocals in the late ’70s at his home in New York’s Dakota building.

Ellise Shafer A three-part docuseries about the murder of John Lennon, narrated by Kiefer Sutherland, is coming to Apple TV+. Titled “John Lennon: Murder Without a Trial,” the docuseries features “exclusive eyewitness interviews and previously unseen crime scene photos, shedding new light on the life and murder of music and cultural icon John Lennon and the investigation and conviction of Mark David Chapman, his confessed killer,” according to a press release.

“Yesterday” all over again.That’s because there will be a brand new Beatles song — yes, you read that right — coming here, there and everywhere in just one week. On Thursday, it was announced that “Now and Then” — featuring all four members of the Fab Four — will be released on Nov.

The Beatles are continuing to tease their upcoming “final song” by launching projections across their hometown of Liverpool.The forthcoming project relates to the new track created by Paul McCartney and Ringo Starr, who joined forces to create the final ever Beatles track to feature all four members, with the help of AI.The exact title and release date of the song – which features appearances from late members John Lennon and George Harrison – currently remains unknown. However, a series of projections have popped up around Liverpool overnight, leading fans to believe that the new single is just around the corner.In these projections, an orange and white cassette tape with the tape reel winding is seen, and the bottom left corner of the tape reads “Type I (Normal) Position”.

The Beatles may be potentially teasing the release of their “final” song after the band’s social media accounts have shared a cryptic post.Today (October 25), a clip of an orange and white cassette tape with the tape reel winding was posted on the band’s X/Twitter and Instagram accounts as well as the landing page of The Beatles’ official website.The bottom left corner of the tape reads “Type I (Normal) Position” and there appear to be words on the bottom right corner of the tape that are intentionally blurred out. Below the visual is an email subscription box in which fans can use to subscribe to the band’s mailing list for any news and updates.It appears that this may be linked to the long-awaited release of Paul McCartney’s and Ringo Starr’s AI-developed “final” track to feature all four members.https://t.co/WD7FPPbm1P pic.twitter.com/xEXToI76E2— The Beatles (@thebeatles) October 25, 2023Back in June, Sir Paul McCartney said that artificial intelligence had allowed him to create a “final” song by The Beatles — which at the time was set for release later in the year.The legendary singer-songwriter and bassist discussed the prospect during an interview with Radio 4’s Today Programme, and revealed that AI technology allowed him to “extricate” John Lennon’s vocals from an old demo track — meaning he could complete the song.Though it has not been confirmed by Macca, it seems likely that the track will be one developed by John Lennon back in 1978, titled ‘Now And Then’.“[Peter Jackson] was able to extricate John’s voice from a ropey little bit of cassette,” he said during the Radio 4 interview, discussing how the method used in the Get Back documentary helped him work on ‘Now And Then’.

Paul McCartney has spoken about his relief that he was able to mend his broken friendship with John Lennon before he was killed.Tensions were high between the two Beatles after Lennon left the band in 1969 and they became embroiled in legal disputes over the group’s back catalogue.Throughout the ‘70s, they maintained a strained relationship. However, McCartney has revealed they were able to become closer again before Lennon was shot dead in 1980 by Mark David Chapman outside his home in New York City, aged 40.Speaking on his new 12-part podcast series McCartney: A Life in Lyrics, he said, “In the end, it was something I was very glad of, when he got murdered, that I’d had some really good times with him before that happened.”“It would have been the worst thing in the world had he just been killed and we still had a bad relationship.

Jem Aswad Executive Editor, Music As if there wasn’t already enough drama and confusion around AI and the music industry, the shadowy musician Ghostwriter’s song “Heart on My Sleeve” — which used generative AI to create fake verses that sound uncannily like Drake and the Weeknd — has spawned no small amount of confusion regarding the Grammys. First, it seemed that the song wouldn’t qualify (and was removed from streaming services shortly after its release in April), then it apparently did, then it didn’t, then it finally did — but only after the artist had removed the fake Drake and Weeknd verses.

“The White Album.”“John and Yoko had got together and that was bound to have an effect on the dynamics of the group,” McCartney explained on the podcast “McCartney: A Life in Lyrics.” “Things like Yoko being literally in the middle of the recording session [were] something you had to deal with.”“The idea was that if John wanted this to happen, then it should happen. There’s no reason why not,” continued the “Yellow Submarine” performer. “Anything that disturbs us, is disturbing.”The British vocalist/songwriter would not let the subject be, adding that other members of the iconic group found the “disturbance” annoying.

Paul McCartney has admitted that Yoko Ono‘s presence during The Beatles‘ recording sessions was “an interference in the workplace”.Ono met John Lennon in 1966 and the couple were married from 1969 until his death in 1980.In a new episode of his new 12-part podcast series, McCartney: A Life In Lyrics, McCartney spoke about about the group’s feelings towards Ono, when she was brought into the studio by Lennon.“John and Yoko had got together and that was bound to have an effect on the dynamics of the group,” McCartney told poet Paul Muldoon (via The Independent).“Things like Yoko being literally in the middle of the recording session [were] something you had to deal with. The idea was that if John wanted this to happen, then it should happen. There’s no reason why not.”He continued: “Anything that disturbs us, is disturbing.

Paul McCartney is spilling the tea about The Beatles‘ time spent with singer and activist Yoko Ono, who was married to the late John Lennon.

Paul McCartney has said that John Lennon still influences his approach to writing song lyrics.The soloist and former Beatles member spoke about his late bandmate on the latest episode of his new 12-part podcast series, McCartney: A Life In Lyrics.“Often I’ll sort of refer… ‘What would John think of this? He’d have thought it was too soppy’. So I’ll change it,” McCartney explained (via Music News).Speaking about the creative chemistry the duo shared, he went on: “That interplay was miraculous. You don’t have this opposing element so much [now].

Paul McCartney has launched his ‘A Life In Lyrics‘ podcast today (October 4) with the first episode breaking down the creation of The Beatles‘ ‘Eleanor Rigby’.The 12-part series which is based on the best-selling book, is hosted by the poet Paul Muldoon, who wrote the foreword to The Lyrics: 1956 to the Present, will give listeners an unrivalled opportunity to sit in on conversations between McCartney and Muldoon.Episode one sees Macca break down the Beatles track ‘Eleanor Rigby’. He explained where the title for the song came from, sharing that the name for the song came from a grave that he and his late bandmate John Lennon saw.“There is a grave which John and I wandered around endlessly talking about our future,” he recalled in the podcast.

Mac DeMarco has shared his new collaborative song with Ryan Paris called ‘Simply Paradise’ – check it out below.DeMarco has long expressed his admiration for the ‘Dolce Vita’ singer, including in a 2014 Pitchfork documentary called Pepperoni Playboy, in which he cites the Italian artist as an inspiration and dances down the street to his song.Paris saw the video and later invited DeMarco to “do a remix of ‘Dolce Vita’ together”. “Very interested in working with you,” DeMarco responded.

Ringo Starr has shared an update on the “final” Beatles song – which has been made with help from AI – saying that it “should have been out already”.The track was first teased by Sir Paul McCartney earlier this year, where he revealed in an interview that The Beatles will release one “final” song in 2023.According to the musician, he enlisted help from AI technology to work on the song, which allowed him to “extricate” demo recordings from late members, John Lennon and George Harrison, and compile them together with new recordings from himself and Ringo Starr to create a song, over four decades since Lennon’s death.Now, speaking as part of a new interview with AP News, Starr has shed light on the supposed release date for the long-awaited track – explaining that it was supposed to have been already released by now.“The rumours were that we just made it up. Like we would do that anyway… This is the last track, ever, that you’ll get the four Beatles on the track.

Ringo Starr tripped over onstage at a gig in New Mexico earlier this month, it has emerged.The Beatles drummer, who was performing with his All-Starr Band on September 20 at Albuquerque’s Rio Rancho Events Center, fell over while making his way back onstage during the band’s encore performance of John Lennon & Plastic Ono Band‘s ‘Give Peace A Chance’.Starr, 83, quickly got to his feet after the fall and joined his band to sing the chorus. There were no later reports of any injuries suffered.Moments after the fall, which you can watch via TMZ, Starr cracked a joke about the tumble.

Keith Richards has said that John Lennon and George Harrison would have fitted into The Rolling Stones in a new interview.Speaking to The Telegraph, Richards opened up about The Beatles and the rivalry between the band’s fans in the sixties.Richards explained: “I don’t think John Lennon would have had much problem fitting into the Stones, or George, if you can imagine that sort of thing happening.”He continued: “We were the same generation, and we all loved the same music. When we first heard The Beatles, we were relieved that there was some other band in England on the same track that we were on.

“Scattershot: Life, Music, Elton, and Me” (Hachette) that Elton became friends with a youngwoman named Linda Woodrow, and that he somehow came to see it as more than just a friendship.“At a time when he was unsure of his own sexual orientation and how to distribute his pent-up love, it was extraordinary to watch him approach a traditional heterosexual dance,” Taupin writes. “I truly don’t think he knew what hit him and was just swept up in the accepted normality of it all.”But Elton couldn’t hide the truth of his own sexuality from himself for long.“It all changed with an intervention after Elton, in a staged cry for help, opened all the windows, stuck his head in the gas oven, and awaited a dramatic response,” writes Taupin.“Perhaps due to the unorthodox nature of the attempt, gas on low and an embroidered pillow to rest his head on, sympathy was not forthcoming.

Dhani Harrison has returned with a new single that features Blur‘s Graham Coxon – listen to ‘Damn That Frequency’ below.Harrison – son of late Beatles guitarist George – last released solo music with 2017’s ‘IN///PARALLEL’ album.Now, he has returned with the psychedelic new single, which features Coxon on the saxophone.The new single will be premiered live at two intimate London gigs next month. Harrison will play Omeara on October 18 and 19.

Julian Lennon has opened up about his “love-hate” relationship with The Beatles‘ classic track ‘Hey Jude’.The musician and son of late Beatles icon John Lennon talked about the song – which remains one of the Fab Four’s biggest hits – during a recent appearance on the Club Random With Bill Maher podcast.“I have a love-hate [relationship] with it, I have to say,” Julian explained (via Loudwire).“I’ve probably heard that song and heard renditions of [it] more than most people alive. And even my dear friends send me babies in nappies playing guitars [and] singing ‘Hey Jude’, which I really don’t need.”He continued: “I’m thankful for the song without question.

Mick Jagger and Paul McCartney are texting pals.

Yehudi Menuhin writes, “Music creates order out of chaos: for rhythm imposes unanimity upon the divergent, melody imposes continuity upon the disjointed, and harmony imposes compatibility upon the incongruous.”So too does love and a fortunate congregation of stars create a kind of rhythm in relationships.In truth, zodiac compatibility is a constellation of qualities and challenges, elemental energy, and ancestral trauma. It is a willingness to apologize and to unload the dishwasher, taking into account the whole of the birth chart, aspects formed, and houses occupied.Within the birth chart, the placement of the moon, which serves as our emotional touchstone, Mars, the planet of sex and aggression, and Venus, the planet of love and attachment, help divine whether a relationship is rock steady or destined for certain ruin. In my experience, anything can happen, anything can work and any manner of star soup between lovers can yield order out of chaos and harmony from cacophony.

Rolling Stone magazine has issued a statement following the recent controversial comments made by its founder Jann Wenner.The founder faced a wave of backlash last week after an interview for his new book titled The Masters saw him conduct discussions with seven “philosophers of rock”, all of whom were white and male.These included Bono, Bob Dylan, the late Jerry Garcia, Mick Jagger, the late John Lennon, Bruce Springsteen and Pete Townshend, and when interviewed by David Marchese of The New York Times, Wenner stated:“Joni [Mitchell] was not a philosopher of rock’n’roll. She didn’t, in my mind, meet that test.

SPOILER ALERT: This post contains details about the ending of John Wick: Chapter 4.

Jann Wenner, who co-founded Rolling Stone magazine and also was a co-founder of the Rock & Roll Hall of Fame, has been removed from the hall’s board of directors after making comments that were seen as disparaging toward Black and female musicians. He apologized within hours.

The New York Times this week, Wenner said female and black artists aren’t “intellectual enough” to be interviewed for his new book, The Masters.In response, the Hall Of Fame decided to remove Wenner from the board, and the Rolling Stone founder shared a statement of apology.Shared via the publisher of his book, Wenner said: “In my interview with The New York Times I made comments that diminished the contributions, genius and impact of Black and women artists and I apologise wholeheartedly for those remarks.“The Masters is a collection of interviews I’ve done over the years that seemed to me to best represent an idea of rock ’n’ roll’s impact on my world; they were not meant to represent the whole of music and its diverse and important originators but to reflect the high points of my career and interviews I felt illustrated the breadth and experience in that career.”He added: “They don’t reflect my appreciation and admiration for myriad totemic, world-changing artists whose music and ideas I revere and will celebrate and promote as long as I live. I totally understand the inflammatory nature of badly chosen words and deeply apologise and accept the consequences.”Within his new book, Wenner asks questions of seven “philosophers of rock”, notably all white men – Bono, Bob Dylan, the late Jerry Garcia, Mick Jagger, the late John Lennon, Bruce Springsteen, and Pete Townshend.In the introduction of the book, Wenner writes that women and artists of colour were not in his zeitgeist.

Naman Ramachandran Horace Ové, director of “Pressure” (1976), the first full-length Black British film, died on Sept. 16. He was 86.

Just hours after he was removed from the Rock and Roll Hall of Fame Foundation board of directors, Rolling Stone co-founder Jann Wenner issued an apology for saying he chose interviews with a pantheon of white male musicians who he dubs the “philosophers of rock” because Black and female musicians were not “articulate at that level.”

NEW YORK — Jann Wenner, who founded Rolling Stone magazine and was a co-founder of the Rock & Roll Hall of Fame, has been removed from the hall’s board of directors after making comments that were seen as denigrating Black and female musicians.“Jann Wenner has been removed from the Board of Directors of the Rock & Roll Hall of Fame Foundation,” the hall said Saturday, a day after Wenner’s comments were published in a New York Times interview.A representative for Wenner, 77, did not immediately respond for a comment.Wenner created a firestorm doing publicity for his new book “The Masters,” which features interviews with musicians Bob Dylan, Jerry Garcia, Mick Jagger, John Lennon, Bruce Springsteen, Pete Townshend and U2’s Bono — all white and male.Asked why he didn’t interview women or Black musicians, Wenner responded: “It’s not that they’re inarticulate, although, go have a deep conversation with Grace Slick or Janis Joplin. Please, be my guest.

Jem Aswad Executive Editor, Music A day after the publication of a New York Times interview in which Rolling Stone magazine founder Jann Wenner said that Black and female musicians “didn’t articulate at the level” of the white musicians featured in his new book of interviews, the Rock and Roll Hall of Fame announced that he has been removed from its board of directors. “Jann Wenner has been removed from the Board of Directors of the Rock & Roll Hall of Fame Foundation,” a terse statement from a rep reads in full; contacted by Variety, a rep for the Hall had no further comment. Wenner is a co-founder of the Rock and Roll Hall of Fame, which was launched in 1987, and had served as its chairman until 2020.

Controversial interview remarks by Rolling Stone founder Jann Wenner have led to his removal from the Rock and Roll Hall of Fame Foundation board of directors.

Rolling Stone and co-founder of the Rock & Roll Hall Of Fame, has said female and black artists aren’t “intellectual enough” to be interviewed for his new book, The Masters.Within the book, Wenner asks questions of seven “philosophers of rock”, notably all white men – Bono, Bob Dylan, the late Jerry Garcia, Mick Jagger, the late John Lennon, Bruce Springsteen, and Pete Townshend.In the introduction of the book, Wenner writes that women and artists of colour were not in his zeitgeist. He faced questions about this in an interview with David Marchese of The New York Times, and argued it wasn’t a “deliberate selection”.“It was kind of intuitive over the years; it just fell together that way. The people had to meet a couple criteria, but it was just kind of my personal interest and love of them.

Queen’s Brian May has admitted that an auction, which saw over 1,400 of Freddie Mercury’s personal possessions sold off, was “too sad” to think about.Held at Sotheby’s earlier this week (September 6), the auction saw handwritten lyrics for some of Queen’s most famous songs, jewellery worn by Mercury, and his collection of artwork go under the hammer.The item that fetched the most at the auction house was the piano that Mercury used to compose the hit song ‘Bohemian Rhapsody’ – a 1973 Yamaha Grand, which sold for £1.7million. This surpassed the amount that John Lennon’s piano, which he used to write ‘Imagine’, reached in a previous auction.Ahead of the auction, May shared an old photo on Instagram of Mercury playing the guitar.A post shared by Brian Harold May (@brianmayforreal)He wrote: “At the time this photo was taken I’m sure it didn’t seem very important to see Freddie’s fingers dancing on my own home-made guitar.

Freddie Mercury’s piano – which he used to compose Queen’s ‘Bohemian Rhapsody’ – has sold for £1.7million at auction.Held at Sotheby’s on Wednesday (September 6), the auction saw 1,500 pieces of the late singer’s possessions go under the hammer, including handwritten lyrics for some of Queen’s most famous songs, jewellery worn by Mercury, and his collection of artwork.The item that fetched the most at the auction house earlier this week was the piano that Mercury used to compose the hit song ‘Bohemian Rhapsody’ – a 1973 Yamaha Grand, which sold for £1.7million. This surpassed the amount that John Lennon’s piano, which he used to write ‘Imagine’, reached in a previous auction.

Freddie Mercury ’s prized piano that he used to compose "Bohemian Rhapsody" and other hits by Queen sold for more than $2 million Wednesday as some of the late singer’s massive collection of flamboyant stage costumes, fine art and original lyrics were auctioned in a sale that broke records. Items connected to the operatic "Rhapsody," the band's most enduring hit, brought a premium with hand-written lyrics to the song selling for about $1.7 million and a gold Cartier brooch saying "Queen number 1" given to each band member by their manager after the song topped the charts, selling for $208,000.

Foo Fighters teamed up with Billy Idol over the weekend to perform a cover of Sex Pistols classic ‘Pretty Vacant’.Idol joined Dave Grohl‘s band on vocals for a performance of the 1977 single during the Jazz Aspen Snowmass Labor Day festival on Sunday night (September 3). You can view footage below.The band last teamed up with with Idol in 2018 when they covered John Lennon’s ‘Gimme Some Truth’ at the Welcome to Rockville festival.Idol’s guitarist, Billy Morrison also shared a photo with the band following the performance, writing: “Thank you Aspen, and thank you @foofighters – it was a great day yesterday.