David A.Gross: Celebs Rumors

Rebecca Rubin Film and Media Reporter “Barbarian,” a horror movie that may have audiences thinking twice about booking that next Airbnb, scared up a better-than-expected $10 million in its domestic debut. Since the box office has been a wasteland for some weeks now, those ticket sales were enough to lead domestic charts, despite barely reaching double digits. This weekend’s other new nationwide release, “Brahmastra Part One: Shiva,” opened in second place with $4.4 million from 810 North American theaters. Both films are backed by Disney. Though “Barbarian” landed a tepid “C+” CinemaScore, the twisty thriller is benefitting from word-of-mouth, given the film’s zany and flat-out terrifying turns. Variety’s Peter Debruge gave “Barbarian” high praise, calling it a “new horror classic,” one that gets “downright demented as it goes along.” If “Barbarian,” which stars Georgina Campbell, Bill Skarsgård and Justin Long, keeps people talking, the movie is likely to keep filling seats during a creaky September at the box office.

Rebecca Rubin Film and Media ReporterSince the pandemic, it’s been feast or famine at the box office. And after dining out in spectacular fashion for much of the summer, movie theaters are bracing for a starvation diet this fall.With a series of question marks on the calendar through the remainder of the year, there’s at least one movie that exhibitors expect to triumph. The bad news? It’s coming to Netflix.The highly anticipated “Glass Onion: A Knives Out Mystery” will debut Dec.

Rebecca Rubin Film and Media Reporter“DC League of Super-Pets,” an animated adventure about the four-legged friends of superheroes, opened in first place at the domestic box office with $23 million from 4,313 theaters.Though the Warner Bros. movie sold enough tickets to dethrone Jordan Peele’s “Nope” on North American charts, it’s a mediocre start given the film’s $90 million price tag.

Rebecca Rubin Film and Media ReporterAudiences responded with a resounding “yep” to Jordan Peele’s science-fiction thriller “Nope,” which topped the box office with its $44 million debut.Those ticket sales were slightly behind projections of $50 million and fall in between Peele’s first two films, 2017’s “Get Out” (which opened to $33 million) and 2019’s “Us” (which opened to $71 million). “Nope” may not have cemented a new box office record for Peele, but it marks a strong start for an original, R-rated horror film.“The opening isn’t as big as ‘Us,’ but it’s still extremely impressive,” says David A.

Rebecca Rubin Film and Media Reporter“Minions: The Rise of Gru” ruled the box office, collecting $108 million over the weekend. By the time that July 4th rolls around on Monday, the animated family film is expected to reach a sizable $127.9 million.Based on those estimates, “Minions: The Rise Of Gru” will smash the record for the highest film opening over Independence Day, overtaking Paramount’s 2011 blockbuster “Transformers: Dark of the Moon” ($115.9 million over four days).Ticket sales for the fifth installment in Universal and Illumination’s popular “Despicable Me” franchise are a comforting sign that family crowds haven’t entirely forgotten about movie theaters.

Rebecca Rubin Film and Media ReporterNeed proof the box office is really, truly rebounding from COVID?Look no further than domestic charts, where not one, not two, but four movies — a mix of new releases in Baz Luhrmann’s musical biopic “Elvis” and Blumhouse’s creepy thriller “The Black Phone,” as well as leftovers with “Top Gun: Maverick” and “Jurassic World Dominion” — are pulling in healthy ticket sales.It marks the third straight weekend that more than one major movie has managed to sell a meaningful number of tickets. After a tough stretch for movie theaters, which were closed for months during the pandemic and then greatly struggled to rebound, it’s a welcome change in pace because, at long last, it signals that audiences of all ages are returning to the big screen.

Rebecca Rubin Film and Media ReporterIt’s hard to escape the deflating sense that Disney’s “Lightyear” has remained stubbornly Earth-bound in its box office debut. At least, that’s the prevailing sentiment that’s greeted the latest Pixar film’s so-so $51 million opening weekend in North America.For industry analysts, those lackluster ticket sales were confounding because Pixar had been box office royalty and “Lightyear,” a spinoff of the cosmically successful “Toy Story” franchise, landed decent — though not euphoric — reviews.

Rebecca Rubin Film and Media ReporterTom Cruise may have pulled off one of the most daring stunts of his career — getting audiences to go to the movies for something that doesn’t involve superheroes.“Top Gun: Maverick” pulled in blockbuster ticket sales in its opening weekend, collecting $134 million from a record 4,732 North American cinemas. Paramount and Skydance’s all-American action adventure is expected to collect $151 million through Monday, defying expectations while also setting a new high-water mark for Memorial Day opening weekends.

Rebecca Rubin Film and Media Reporter“Doctor Strange in the Multiverse of Madness,” the newest timeline-altering tentpole in Disney’s Marvel Cinematic Universe, captured a huge $265 million in its international box office debut.Those mighty ticket sales represent the second-biggest opening weekend overseas in pandemic times. Sony’s “Spider-Man: No Way Home” still stands as the highest-grossing COVID-era debut with $340 million internationally.The second “Doctor Strange” film, starring Benedict Cumberbatch as the goatee-rocking sorcerer, generated $185 million in North America over the weekend, bringing its global tally to a massive $450 million.

Everything Everywhere All At Once is a hit!

Rebecca Rubin Film and Media ReporterAnother weekend, another new Liam Neeson action-thriller in theaters.“Memory,” the actor’s nth COVID-era caper to play on the big screen, debuted over the weekend to $3.1 million from 2,555 North American cinemas. Its eighth-place finish is a weak result, but one that’s close to Neeson’s recent theatrical releases like “Blacklight” ($3.6 million debut), “Honest Thief” ($3.6 million debut) and “The Marksman” ($3.1 million debut).Since Open Road Films and Briarcliff Entertainment’s “Memory” is the only new nationwide release, last weekend’s champion “The Bad Guys” topped the box office again.

Rebecca Rubin Film and Media Reporter“Fantastic Beasts: The Secrets of Dumbledore” welcomed a boost in ticket sales at the international box office, though the third installment in the “Harry Potter” spinoff series already seems to be running out of steam.Over the weekend, “Fantastic Beasts 3” added $71.7 million from 66 foreign markets, taking the film’s international tally to $150.4 million. After debuting to a less-than-enchanting $43 million in North America, “The Secrets of Dumbledore” has collected $193.4 million to date.Along with United States and Canada, the Warner Bros.

Rebecca Rubin Film and Media Reporter“Sonic the Hedgehog 2” powered to $71 million in its domestic box office debut, a hopeful indication that family audiences are feeling better about returning to theater.In taking the No. 1 spot, Paramount’s kid friendly film towered over Sony’s Marvel adaptation “Morbius” and Universal’s Michael Bay action-adventure “Ambulance,” which debuted to a disappointing $8 million.Ticket sales for “Sonic the Hedgehog 2” set a new high watermark for video game adaptations, supplanting the opening weekend record established by its predecessor, 2020’s “Sonic the Hedgehog.” The first movie collected $58 million in its first three days of release and ended the President’s Day holiday weekend with a mighty $70 million.

Rebecca Rubin Film and Media ReporterSandra Bullock and Channing Tatum’s screwball romantic comedy “The Lost City” collected $31 million at North American theaters over the weekend, a promising sign that Netflix hasn’t completely seized on the meet-cute market.Of course, Paramount, which is behind “The Lost City,” did not rely only on positive reviews — or the tease of Tatum’s bare behind — to fuel ticket sales. The on-screen chemistry between Bullock and Tatum, who were inescapable on social media, billboards and in trailers while promoting the film, were key in getting audiences to cinemas.

Rebecca Rubin Film and Media ReporterAfter living through a pandemic for nearly two years, Americans, as it turns out, were in desperate need of a laugh.That may explain why Paramount’s go-for-broke action comedy “Jackass Forever” triumphed at the domestic box office while Roland Emmerich’s disaster epic “Moonfall” turned into an epic disaster.“Jackass Forever,” the fourth installment in the ongoing saga of projectiles to the groin, collected $23 million from 3,604 North American locations in its debut, landing on the higher end of expectations. The latest “Jackass,” starring Johnny Knoxville, Steve-O, Wee Man and other daredevils from MTV days, had been widely expected to win the weekend, but its victory is still surprising and impressive because it has been some time since a pure comedy has claimed the top spot on box office charts.