Rebecca Rubin Film and Media ReporterSandra Bullock and Channing Tatum’s screwball romantic comedy “The Lost City” collected $31 million at North American theaters over the weekend, a promising sign that Netflix hasn’t completely seized on the meet-cute market.Of course, Paramount, which is behind “The Lost City,” did not rely only on positive reviews — or the tease of Tatum’s bare behind — to fuel ticket sales.
The on-screen chemistry between Bullock and Tatum, who were inescapable on social media, billboards and in trailers while promoting the film, were key in getting audiences to cinemas.
That’s a huge accomplishment in an era where familiar franchises have been dictating commercial success (at least, compared to the promise of A-list stars).
At the same time, “The Lost City,” an original adventure that has been described as “Romancing the Stone” meets “Raiders of the Lost Ark,” indicates that romantic comedies haven’t entirely fallen out of favor with moviegoers. “This is an excellent opening,” says David A.
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