A gang of highly dysfunctional, co-dependent teenagers face down encroaching adulthood in Melanie Waelde's erratic but often electric debut.
By Jessica Kiang “Coming of age” is a demure, blushing phrase and so quite unsuited to the fat lips and cracked foreheads of Melanie Waelde’s visceral, exposed-nerve debut.
And yet, loosely speaking, it’s what “Naked Animals” tracks: a short, painful, hesitant phase in the lives of five wild teenagers living largely without adult supervision.
In a provincial nowhere, geographically near Berlin but spiritually half a galaxy away, the rituals that have evolved among this little wolfpack are so incomprehensible to outsiders as to make them seem like aliens, giving Waelde’s unmistakably personal film
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