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‘Misericordia’ Review: Alain Guiraudie’s Nerve-Rattling Thriller Is A Dostoevskian Masterwork [Cannes Review]

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An hour into “Misericordia,” there is a scene so shocking that it might leave viewers’ mouths agape in disbelief. Only it is a mere conversation between two people.

That exchange of words can be so profoundly disquieting and underscores Alain Guiraudie’s commitment to thrilling audiences the old-fashioned way – with ideas rather than actions.

His new thriller film is overladen with mysteries and enigmas, perhaps none so confounding as its absence from the main Competition at the Cannes Film Festival.

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