Watching David Gutnik’s debut feature film Materna, I got a clear sense that he was trying to tap into both cultural and political diversity.
As diversity has become the buzzword du jour, directors have been eager to keep up with the times. This has been a great incentive for white directors to put more consideration into casting roles and sometimes even deciding what stories to tell and how to tell them.
With that in mind, there also must be a consideration for how cast diversity changes the story and its tone in ways that not even a director can control.
Originally slated to premiere at the cancelled Tribeca Film Festival last spring, Materna is an interesting case study for such considerations.
Read more on hollywoodreporter.com
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