‘Aquaman and the Lost Kingdom’ Review: Jason Momoa in a Sequel That’s 3D but Flat, With Less Screensaver Fun and More ‘Dark’ Action
Owen Gleiberman Chief Film Critic Starting in the 2000s, for a little over a decade, 3D was sold as a value-added feature of moviegoing, even though, with rare exceptions (e.g., the “Avatar” films), it never worked too well or added very much. (I would argue that it subtracted.) In most cases, 3D was a rip-off — a carny-barker way for studios to jack up ticket prices.