As the Best International Feature race comes to a close, it’s fairly clear to see who the favorites are. Since it premiered at Cannes last year, Ryûsuke Hamaguchi’s Drive My Car has dominated the landscape, featuring highly in international critics’ awards and even penetrating the consciousness of the Golden Globes.
But—as we saw at Cannes, where Hamaguchi only went home with Best Screenplay—critical mass doesn’t always impact on industry juries.
It’s just as possible, then, that the Oscar might go to Norway’s The Worst Person in the World, a gently subversive romcom by Joachim Trier that captures the exact moment in a director’s career when they nail their style.
To add a third alternative, Jonas Poher Rasmussen’s sobering emigrant story Flee has been quietly making history, a feat that will be cemented if it becomes, as many think it might, the first film to compete in the International, Documentary and Animation fields.But while the competition at the top is strong, it has somehow obscured the fact that this year’s longlist has been incredibly diverse.
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