Owen Gleiberman Chief Film CriticIn 2018, when David Gordon Green was given the hallowed mission of rebooting the “Halloween” series (that the director of “All the Real Girls” would embrace becoming the showrunner of a slasher franchise says a lot about the 21st century, but let’s leave that for another time), his job was to wipe away 40 years of bad sequels and to restore the lurchy cinematic gamesmanship, the perfectly-timed-shock-cut ingenuity, and the scary-classic mystique of the 1978 “Halloween.” (That the original was, itself, a mayhem-by-the-numbers knockoff of “The Texas Chain Saw Massacre” says a lot about the state of horror movies back then, but let’s leave that for another time.)The mission was accomplished. “Halloween: The.
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