Nick Vivarelli International Correspondent Last year Andrea Scrosati – who is group COO and continental Europe CEO of Fremantle – was at Venice with two films.
This year Fremantle’s got six pics launching from the Lido, three of them in competition, which is a larger contingent than any of the U.S.
studios or streamers. Fremantle’s business model, which involves a cluster of companies mostly across Europe that they either fully own or are majority investors in, has been bearing fruit on their film side.
Their output has grown “from 8 to 32 delivered movies in two years,” Scrosati says. And the multi-pronged company’s Venice lineup – which includes Luca Guadagnino’s “Bones and All,” Emanuele Crialese’s “L’Immensità,” and Joanna Hogg’s “The Eternal Daughter” – is a reflection of that.
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