Jeremy Helligar The crux of Regina King’s critically acclaimed new film “One Night in Miami” is the friendship between civil-rights activist Malcolm X and legendary crooner Sam Cooke, and that friendship is tested by a series of explosive – and fictional – verbal throwdowns.
Adapted from a play that was loosely based on their real-life friendship (which probably wasn’t nearly as contentious as the screenplay makes it out to be), the movie casts Malcolm as Cooke’s pesky conscience, urging him to dedicate his musical career to loftier political and social goals and not just filling the world with silly love songs.
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