1978 was a big year for Jackie Chan. After years of flailing about in serious kung fu films, with producers and directors attempting (as they did with so many of his contemporaries) to fashion Chan into the next Bruce Lee, he was loaned out to the independent production company Seasonal Films for two films.
Their director, Yuen Woo-ping (who would later achieve international fame as the martial arts choreographer on the “Matrix” and “Kill Bill” films), gave Chan not only the freedom to direct his own fight scenes but to free himself of the stone-seriousness of those early efforts.
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